The destruction of the grand style of the epic is just what pope was after in his mock epic, The Rape of the Lock. pontiff had no such universal goal, or moral pronouncements to make as did Milton. His purpose was merely to expose the life of the nobility of his time. terminus Milton chose blank verse to express the immensity of the landscape of his epic, pontiff chose to utilize the noble-mindedal couplet to trivialize this grandeur. Popes quick card bounces the reader along his detailed description of his parlor-room epic. His content is purpose all-embracingy trivial, his scope purposefully thin, his style purposefully light-hearted, and therefore his plectron of form purposefully geared toward the smooth, natural rhythm of the heroic couplet. The caesura, the end-stopped lines, and the perfect rhymes lend the exact amount of tactfulness and gaiety to his work. Writing for a society that values appearances and societal frivolities, he uses these various modes o f look to call attention to the behavior itself. Pope compares and contrasts. He places significant life factors (i.e., survival, death, etc.) case by side with the trivial (although not to Belinda and her friends: love letters, accessories). Although Pope is definitely pointing to the lightness of the social life of the privileged, he also recognizes their sincerity in attempting to be polite and well-mannered and pretend to recognize where the dead on target values lie. Pope satirizes female vanity. He wrote the poem at the request of his friend, John Caryll, in an effort to make cessation between real-life lovers. The hazard of the chuck out of hair was factual; Popes intention was to dilute with humor the ominous feelings aroused by the affair. He was, in fact, putting a minor incident into perspective, and to this end, chose a mock-heroic form, composing the poem... If you want to personate a full essay, order it on our w ebsite: OrderCustomPaper.com
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